TOP GUN: MAVERICK (M) 130min
7pm Sunday 21st August**** all tickets only $10.00
After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen.
7pm Sunday 21st August**** all tickets only $10.00
After more than thirty years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. When he finds himself training a detachment of Top Gun graduates for a specialized mission the likes of which no living pilot has ever seen.
Some of the dates and times are tentative and may be liable to change without notice.
Please note at this time alot of films are still being redated so do watch the website for updates
Please note at this time alot of films are still being redated so do watch the website for updates
RIGOLETTO (Verdi)
4pm Thrusday July 28, 2022
Fixed pricing: $34 standard, $29 senior
Runtime: 196 mins confirmed
Tony Award–winning director Bartlett Sher creates a bold new take on Verdi’s timeless tragedy, resetting the opera’s action in 1920s Europe, with Art Deco sets by Michael Yeargan and elegant costumes by Catherine Zuber. Baritone Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczała as the Duke of Mantua, with leading maestro Daniele Rustioni on the podium.
4pm Thrusday July 28, 2022
Fixed pricing: $34 standard, $29 senior
Runtime: 196 mins confirmed
Tony Award–winning director Bartlett Sher creates a bold new take on Verdi’s timeless tragedy, resetting the opera’s action in 1920s Europe, with Art Deco sets by Michael Yeargan and elegant costumes by Catherine Zuber. Baritone Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczała as the Duke of Mantua, with leading maestro Daniele Rustioni on the podium.
MY SWEET MONSTER (TBA) June
King is unable to believe the fact that his beloved child, Princess Barbara, is all grown up. He still tries to watch over the Princess, but the 16-year-old Barbara throws a tantrum at her birthday party. While everybody is distracted, the throne is seized by a sneaky post clerk Weasel. However, unsatisfied with being the sole ruler of the Kingdom, he also plans to marry Barbara. Princess Barbara runs away from the palace and finds herself deep in the woods. She bumps into Boogey the Outlaw and his friend the Wicked Rabbit. Barbara's interference wreaks havoc into the ordinary bachelor-style life of the two friends. Barbara meddles into everything, arranges her own set of rules, and keeps getting on their nerves with her assumptions about Prince Edward. She imagines how Prince Edward defeats the impostor, reinstates the King, and proposes to Barbara. Just like the books says. To get rid of Barbara, Boogey decides to go as far as to find the Prince Edward, stop the Weasel and restore
King is unable to believe the fact that his beloved child, Princess Barbara, is all grown up. He still tries to watch over the Princess, but the 16-year-old Barbara throws a tantrum at her birthday party. While everybody is distracted, the throne is seized by a sneaky post clerk Weasel. However, unsatisfied with being the sole ruler of the Kingdom, he also plans to marry Barbara. Princess Barbara runs away from the palace and finds herself deep in the woods. She bumps into Boogey the Outlaw and his friend the Wicked Rabbit. Barbara's interference wreaks havoc into the ordinary bachelor-style life of the two friends. Barbara meddles into everything, arranges her own set of rules, and keeps getting on their nerves with her assumptions about Prince Edward. She imagines how Prince Edward defeats the impostor, reinstates the King, and proposes to Barbara. Just like the books says. To get rid of Barbara, Boogey decides to go as far as to find the Prince Edward, stop the Weasel and restore
More films to come soon keep checking back
